SKŪRÀ II, 2023
Justina Moncevičiūtė's practice investigates material identities, their transformations, and fluidity. Her ceramic objects merge the properties of textiles, art, and architecture, embodying the idea of hybridity in their aesthetic and tactile language and physical behaviour. The art-works are meticulously assembled from ceramic modules into geometric grids and pat-terns. Paradoxically, completed objects have no solid bodies: human interaction disrupts the rhythmic structures, creating numerous variations in orderless shapes and volumes.